F Outlines in pencil only.
G and H are exercises for brush only, without any guiding lines.
I Pen outline for the moon and the upper outlines of the battlements of the castle and for its doors and windows.
J Outlines in pencil for the branches only, which in turn may be made with strong pen lines; the leaves to be added free-hand with a brush. K is to be outlined with pencil and completed entirely with brush. L is to be outlined with pen only and completed with the brush. M, N and O Outline with pencil and complete with pen and brush. P and Q Outline with pencil and complete with a brush. R Outline with pen without pencil guides and complete with brush. In each case, after the drawings are quite dry, erase the pencil lines.
Solid Blacks. The solid black exercise previously described may be used in connection with pencil or pen effects by adding other details, either background or foreground, to the objects drawn in solid black. The best effects are secured by making these additions in a monotone, in order to secure a happy contrast between the two treatments. That is to say, no attempt need be made to blend the black subjects to the added detail.
Sections
- Action Drawing
- Advice To Teachers
- Beginners Instructions
- Blocking In
- Clay Modeling
- Copying By Triangulation
- Decorative Ornamental Art
- Drawing From Nature
- Early Exercises
- Elementary Lines
- Elementary Perspective
- Expression Emotion
- Foreshortening
- Geometrical Form
- How To Draw Animals
- How To Draw Cartoons
- How To Draw Charcoal Crayon
- How To Draw Flowers
- How To Draw Women Men Children
- Lettering
- Light And Shade
- Materials For Drawing
- Models Measurements Proportions
- Outlines For Beginners
- Paper Folding Cutting
- Pen And Ink Drawing
- Principles Of Composition
- Simple Story Pictures
- Solid Black Effects
- Stimulating Imagination
- Tracing Transferring
- Two Handed Exercises